Decameron$523672$ - ترجمة إلى الهولندية
Diclib.com
قاموس ChatGPT
أدخل كلمة أو عبارة بأي لغة 👆
اللغة:

ترجمة وتحليل الكلمات عن طريق الذكاء الاصطناعي ChatGPT

في هذه الصفحة يمكنك الحصول على تحليل مفصل لكلمة أو عبارة باستخدام أفضل تقنيات الذكاء الاصطناعي المتوفرة اليوم:

  • كيف يتم استخدام الكلمة في اللغة
  • تردد الكلمة
  • ما إذا كانت الكلمة تستخدم في كثير من الأحيان في اللغة المنطوقة أو المكتوبة
  • خيارات الترجمة إلى الروسية أو الإسبانية، على التوالي
  • أمثلة على استخدام الكلمة (عدة عبارات مع الترجمة)
  • أصل الكلمة

Decameron$523672$ - ترجمة إلى الهولندية

1971 FILM BY PIER PAOLO PASOLINI
The Decameron (film); The Decameron (movie); Il Decamerone; Il Decameron; The Decameron (1970 film); Pasolini's Decameron

Decameron      
n. Decamerone, verhalencyclus van de Italiaanse schrijver Giovanni Boccaccio in de 14-de eeuw

تعريف

Decameron
·noun A celebrated collection of tales, supposed to be related in ten days;
- written in the 14th century, by Boccaccio, an Italian.

ويكيبيديا

The Decameron (1971 film)

The Decameron (Italian: Il Decameron) is a 1971 anthology film written and directed by Pier Paolo Pasolini, based on the 14th-century allegory by Giovanni Boccaccio. It is the first film of Pasolini's Trilogy of Life, the others being The Canterbury Tales and Arabian Nights. Each film was an adaptation of a different piece of classical literature focusing on ribald and often irreligious themes. The tales contain abundant nudity, sex, slapstick and scatological humour.

Pasolini's intention was not to faithfully recreate the world of Boccaccio's characters but to criticise the contemporary world through metaphorical use of the themes present in the stories. Stories are often changed to southern Italy and heavy use of the Neapolitan dialect is used to signify the mistreatment and economic exploitation of the poorer region by the richer northern parts of Italy.

The film was entered into the 21st Berlin International Film Festival, where it won the Silver Bear Extraordinary Jury Prize. Despite the success and critical acclaim of this film, Pasolini was upset with the numerous low quality knock offs and remakes it generated. He considered these an affront to the anti-capitalist message of the film and would disown this film in his final days before dying.